How much is Shelley Duvall worth?
| Net Worth: | $700 thousand |
|---|---|
| Profession: | Professional actress |
| Date of Birth: | July 7, 1949 |
| Country: | United States of America |
| Height: | 1.73 m |
About Shelley Duvall
In the psychological thriller 3 Women, directed by Robert Altman and released in 1977, Shelley Duvall played the role of Mildred “Millie” Lammoreaux, a woman who resided in a depressing California desert town. Even though there was a script for the movie, Duvall, along with the other cast members, came up with many of their lines on the spot. The movie was well regarded by critics, despite the fact that it did not do particularly well at the box office.
Shelley Alexis Duvall was the first child to be born to Bobbie Ruth Crawford (née Massengale, 1929–2020), a real estate broker, and Robert Richardson “Bobby” Duvall, a cattle auctioneer-turned-lawyer. Shelley Alexis Duvall was born on July 7, 1949 in Fort Worth, Texas. Shelley Alexis Duvall, not to be confused with actor Robert Duvall.
She first became acquainted with Robert Altman during a party that took place at the same time as he was filming Brewster McCloud (1970) on location in Texas. Several crew members on the film were attracted by Duvall’s positive demeanor and uncommon physical look, and urged her to be part of the feature. Before Altman offered her a role, Duvall had never traveled further than her home state of Texas. She took a flight to Hollywood, and then she was cast in the movie to play the free-spirited love interest of Bud Cort’s character, Brewster, who plays a recluse.
Nashville (1975), the ensemble comedy directed by Robert Altman and starring Shelley Duvall as a spaced-out groupie, was a commercial and critical success. Buffalo Bill and the Indians, or Sitting Bull’s History Lesson (1976), in which Duvall played a sympathetic Wild West woman, was also well received. In addition, she has hosted an episode of Saturday Night Live and has been a guest star in five other sketches, including “Programming Change” “Video Vixens” “Night of the Moonies” “Van Arguments” and “Goodnights”.
Her work in the film “3 Women” earned her the title of Best Actress at the 1977 Cannes Film Festival, as well as the Los Angeles Film Critics Association Award and a nomination for the British Academy Film Award for Best Actress. She next starred in a brief role in Woody Allen‘s Annie Hall (1977). The next year, in 1980, Stanley Kubrick helmed the production of “The Shining,” in which Shelley Duvall portrayed Wendy Torrance.
The film’s script was revised so often that Nicholson stopped reading each draft. Kubrick was known for provoking conflict with the actors he worked with. The director Stanley Kubrick purposefully separated the actress Shelley Duvall, who then endured grueling filming sessions, including 127 takes of a scene with a baseball bat.
In the beginning, Duvall’s performance in The Shining was met with disapproval, which resulted in the actress being nominated for a Golden Raspberry award. However, in hindsight, she has received widespread praise for her portrayal, and the co-founder of the Golden Raspberries, Maureen Murphy, has stated that she regrets giving Duvall a nomination for the award.
Faerie Tale Theatre was an episode of the children’s television program that Duvall narrated, hosted, and executive produced in the year 1982. She played the leading role in seven different episodes of the series, including “Rumpelstiltskin” (1982), “Rapunzel” (1983), “The Nightingale” (1983), “Snow White and the Seven Dwarfs” (1984), and “Puss in Boots” (1985).
Even Cowgirls Get the Blues was a novel written by Tom Robbins, and it was rumored that Shelley Duvall would play the lead role in the film adaptation of the novel during the time that she was producing Faerie Tale Theatre. Other cast members included Mick Jagger, Jerry Hall, Cindy Hall, and Sissy Spacek. Because of the delay, the production was not completed until 1993, and when it finally was, it had an entirely new cast.
] In the 1991 Hulk Hogan action-adventure picture Suburban Commando, Shelley Duvall played Jenny Wilcox, the wife of Charlie Wilcox (Christopher Lloyd), who was played by Christopher Lloyd. Both Hello, I am Shelley Duvall… Sweet Dreams and Hello, I am Shelley Duvall… Merry Christmas were released by Duvall in October of that year. Hello, I am Shelley Duvall… Sweet Dreams features Duvall singing lullaby songs, while Hello, I am Shelley Duvall… Merry Christmas features Duvall singing Christmas songs.
Throughout the latter half of the 1990s, Duvall remained active in both the cinema and television industries. In the comedy Home Fries from 1998, she portrayed Mrs. Jackson, and in the children’s feature Casper Meets Wendy, she played Gabby. Both of these films were released on direct-to-video. In the 2000s, Duvall accepted minor roles, notably as the mother of Matthew Lawrence’s character in the horror-comedy Boltneck (2000) and as Haylie Duff’s aunt in the independent family film Dreams in the Attic, which was sold to the Disney Channel but was never shown.
It was announced in October 2022 that Duvall would be making an acting comeback in the independent horror-thriller film The Forest Hills, which was written and directed by Scott Goldberg and also starred Edward Furlong, Chiko Mendez, and Dee Wallace. Duvall’s absence from the industry had lasted for the previous 20 years. The following month saw the release of the film’s official trailer, which told the story of Mendez, a guy who suffers from recurring nightmares after suffering a brain injury in the Catskill Mountains.
Summing-Up
The upcoming horror movie The Forest Hills will mark Shelley Duvall’s comeback to the acting world after a career break of twenty years. Duvall will play a role in the movie. Throughout the 1990s, Duvall had intermittent acting parts, the most notable of which were in the thriller The Underneath (1995), directed by Steven Soderbergh, and the Henry James adaptation The Portrait of a Lady (1996), directed by Jane Campion. Both films were notable for their supporting casts. Her final role was in the 2002 film Manna from Heaven, and after that she called it quits in the performing business. In general, Duvall chose to keep her personal life out of the public eye and away from the media for a number of years; nonetheless, her struggles with her health gained major publicity in the media.
