How much is Ani DiFranco worth?
| Net Worth: | $5 Million |
|---|---|
| Profession: | Professional Singer |
| Date of Birth: | September 23, 1970 (age 51) |
| Country: | United States of America |
| Height: | 1.58 m |
About Ani DiFranco
An American singer-songwriter, Angela Maria “Ani” DiFranco was born on September 23, 1970, and her estimated net worth is $5 million. Ani DiFranco began playing the guitar around the age of nine. She was born in Buffalo, New York. She began performing Beatles covers in local taverns and coffee shops by the time she was a preteen. The poems she had been composing for years had started to take the form of song lyrics by the time she was 15 years old, independent, and living on her own.
Ani DiFranco is one of the most well-known folk pioneers of her generation, but she clearly draws inspiration from artists like Joni Mitchell and Woody Guthrie. Dan Bern or Dar Williams are two artists you should listen to if you already know and enjoy Ani DiFranco’s music. Ani gave up playing the guitar throughout her adolescence to focus on dancing for a while. She nevertheless made a name for herself as a folk-punk, protest, and singer-songwriter.
in New York
DiFranco relocated to New York City at the age of 19 to live and perform in the Village with the other folksingers. She was enrolled in New School programs at the time, but she spent her weekends touring and performing in Northeastern US coffeehouses, bars, festivals, and folk clubs.
Her debut album from 1990 instantly sold out, and the following year she released a follow-up. Each was released by her under her own Righteous Babe label, which initially served more as an idea than anything else. Ani was approached by A&R representatives from major and minor labels as her career took off, but she continued to say no.
Difranco is currently selling out venues from the Hard Rock in Las Vegas to Carnegie Hall in New York after playing more than a hundred gigs a year for the past twenty years. Her Righteous Babe record company, which supports the recordings of avant-garde musicians including Drums & Tuba, Andrew Bird, and Toshi Reagan, employs more than a dozen people in her hometown of Buffalo. Additionally, she invented the way the guitar is played with her rhythmic, staccato style.
Ani DiFranco has kept up her release schedule of one album roughly per year.
DiFranco’s album Revolutionary Love, which was published in 2021, was heavily influenced by Valarie Kaur’s book See No Stranger.
Ani DiFranco’s net worth is projected to reach $5 million as of 2023.
No Walls and the Recurring Dream, a memoir by DiFranco, was published on May 7, 2019, by Viking Books.
Reprieve (2006)
The Woody Guthrie tribute she produced and released on her own label, the numerous collaborations and contributions she’s made to other artists’ work—Janis Ian, Dar Williams, and Bruce Cockburn, to name a few—all add up to Ani Difranco’s 18th record in 16 years. This doesn’t even include her two collaborations with folk singer/storyteller Utah Phillips. Given the nearly full year she missed after hurting her wrists in 2005, it’s also one of her most eagerly awaited performances in her career.
In terms of style, Difranco has never been reserved. She has discussed both traditional and modern folk music. She’s done covers of Phil Ochs and Bob Dylan. She has dabbled in jazz and the blues and even rapped her way through a powerful piece.
Her fervent political left-leaning and feminist principles have grudgingly been pushed aside in favor of relationships in many of her songwriting, which has caused many of her ardent early followers to turn away from her most recent records. The long-awaited return of their Righteous Babe will undoubtedly make them happy if there is any remaining interest in their hearts.
Why this has escalated in importance within Ani Difranco’s fan base over the past few years is beyond me. Perhaps it has to do with the fact that they first encountered her during a contentious period in her artistic career. The last two of albums have been largely devoted to reflections on failed relationships and attempts to transcend them.
Reprieve still has some of that, particularly in the opening track, “Hypnotized,” which is more melancholy and less dejected. By the third song, Difranco is singing a love song to a raptor. Two songs later, there is vehemently criticizing of the institution of stardom and all that supports it.
Perhaps the most political song on the album is “Millenium Theatre” Difranco sings of “… trickle down pollution, patriarchies realigned … while the ice caps melt, New Orleans bides her time.” criticizing everything from the Bush administration’s narrative on 9/11 to the economics and environment.
She continues to be contemplative in the song that follows, which has a melodically upbeat tune but more gloomy lyrics: “Show me a moment that is mine, it’s beauty blinding and unsurpassed / and I’ll forget all those moments that … left me so half-hearted.”
Then, Difranco returns to the depressing state of the world today and delivers a reviving poem or speech extolling the virtues of feminism. If Difranco’s lyrical and devastating political tirades weren’t enough, “A Spade” which appears unapologetically near the record’s conclusion, issues the following challenge: “Are you up to the task of changing the course of human history at long last?”
The great thing about this album is not that Ani Difranco completely changed her sound. When they see her exploring unexplored ground, both critics and fans typically ooh and ahh. But this time, the young folk singer went back to doing what she’s always done best: excellent guitar playing and outstanding songwriting.
Sure, some of them are reflecting on failed relationships in love, while others are berating the authorities for bad choices they made on behalf of their fellow residents. The most amazing thing about this, though, is that Difranco has cut out the filler and released an album that is just packed with tunes you can trust.
