How much is Robyn Hitchcock worth?
| Net Worth: | $2.5 Million |
|---|---|
| Profession: | Professional Singer |
| Date of Birth: | March 3, 1953 |
| Country: | United Kingdom |
| Height: | 1.88 m |
About Robyn Hitchcock
English singer-songwriter and guitarist Robyn Rowan Hitchcock, who was born on March 3, 1953, is thought to be worth $2.5 million. Robyn Hitchcock from England deserves a lot of credit for the impact he had on the 1980s pop/rock scene despite being one of the more understated, understated exponents of post-punk and early alternative rock. He plays bass guitar, harmonica, piano, and guitar, but his main instruments are singing and playing the guitar. Strong positive praise for his several albums and live appearances have helped Hitchcock establish something of a “cult following” for his music.
Hitchcock began his career as the charismatic vocalist of The Soft Boys, a seminal punk rock-influenced cult band defined by its subtle psychedelia. Over time, he developed into a diverse, adept singer-songwriter of the greatest caliber. By releasing seven studio albums over the course of the decade (four of which he co-wrote with his backup band The Egyptians), Hitchcock cemented his place among the great music icons of the 1980s.
The Soft Boys in the Early Years
Hitchcock began his career as a folk singer-songwriter in the middle of the 1970s, and he utilized his Cambridge home to find musicians for The Soft Boys, a 1976 formation of guitar pop band with punk influences. The band, however, drew more inspiration from psychedelia and a celebration of the bizarre than from the more violent, overly straightforward style of typical punk bands. The band disbanded almost immediately after the 1980 release of their elegant masterpiece, Underwater Moonlight, similar to other brilliant rock bands. Nevertheless, this merely paved the way for Hitchcock to establish himself as a visionary cult solo artist, a position he would later come to embody.
Solo Initial Efforts
While attempting to develop a sound that was unique from that of his old band, Hitchcock released three albums as a pure solo artist in the first half of the 1980s. In order to showcase his compositions after 1984’s I Often Dream of Trains, Hitchcock went back to a full band setup. Two former Soft Boys, Andy Metcalfe and Morris Windsor, were among the Egyptians, but Hitchcock had by this point developed a contemplative singer-songwriter style that was both more mature and less obnoxious about its inherent oddity. This new era of Hitchcock’s career was nicely launched by 1985’s Fegmania!
Near Stardom & “Element of Light”
In 1986, Hitchcock and the band published their follow-up, Element of Light, and by this time the musician had honed a gentle yet difficult approach to melodic guitar rock. A showcase tune like “Airscape” which is based on his traditional yet distinctive vocal technique, also demonstrates the ethereal beauty usually present in Hitchcock’s calculated, complicated compositions. Although 1988’s Globe of Frogs received some MTV exposure and modern rock radio broadcast, Hitchcock’s emphasis on examining surrealistic images and a variety of subject eccentricities on tracks like “Balloon Man” prevented its broader success.
Developing A Career & A Reputation
Robyn Hitchcock never quite made it to the promised land of college rock or alternative rock visibility, but still commands a lot of respect in the world of off-kilter rock music. This might be partly ascribed to the artist’s great songwriting, but it also helps that Hitchcock has continued to crank out studio albums at a remarkable clip.
Five albums released in the 1990s and four more in the first decade of the new century helped Hitchcock maintain a strong musical presence while also expanding his already impressive discography.
A four-song EP titled Planet England, co-written and performed by Hitchcock and XTC vocalist Andy Partridge, was released in September 2019. Robyn Hitchcock’s net worth is projected to be $2.5 million as of 2023.
He published The Man Downstairs: Demos & Rarities in 2020, an album of leftovers from The Man Upstairs that were originally recorded in 2013 as demos. He also made an appearance on Emma Swift’s Bob Dylan tribute album Blonde on the Tracks, which was produced by Pat Sansone of Wilco and was recorded in Nashville, Tennessee, between 2017 and 2020.
