Keith Anderson Net Worth

How much is Keith Anderson worth?

About Keith Anderson

American country music performer Keith Anderson, who was born on January 12, 1968, is thought to have a net worth of $25 million. In his youth, Keith Anderson played baseball and was selected by the Kansas City Royals. However, a shoulder injury put an end to his attempt at a baseball career and solidified his future as a musician.

American Rock & Roll with three chords

This album is full of personality and features each and every aspect of country and rock ‘n’ roll. With the intensity this guy has, I’m looking forward to seeing him perform live soon. I’m really liking this CD.

This boy is on the rise as Keith’s debut single “Pickin’ Wildflowers” soars to the top of the charts, complete with a music video. When you have one of the best writers on staff, how can you possibly lose? On this album, all but one of the tracks were produced by Jeffrey Steele, who also shares co-writing credit for four of them. When I initially started listening to this album, I started with the song “Podunk.” My mother and I have both said that for years. It is about leaving a sleepy old village and eventually longing to return to that small, old “Podunk” town after being away. The best locations to live are there. I currently reside in one.

I was immediately drawn in by the violin playing that opens the song “Three Chord Country and American Rock & Roll,” because I adore fiddles. This song was co-written by John Rich and Keith, and when I first heard it, it sounded familiar, possibly because of the influence of Big & Rich. I enjoy it when other musicians credit other musicians in their songs by using their names. In this one, he does it a couple of times.

I found it difficult to choose a clear favorite after listening to the entire album a few times. He performs so admirably on each one. His growl at the start of songs is one of my favorites, and I believe that country music today needs more voices like his.

Keith Anderson Live Performance

On January 15, 2006, Keith Anderson was the featured act at the Win-River Casino in Redding, California. Kevin Marcy of the Marcy Brothers opened the show. They might be primarily local, despite the fact that they released a few albums in the late 1980s. I adored his voice. He claims he is now a fireman. My friend Dianne said, “Keith’s going to have to work hard to get the audience even more fired up than they were for Kevin,” who received an ovation and returned for a couple more songs. He received a positive response from the sold-out audience.

The interval between Kevin’s set and Keith’s set was roughly fifteen minutes. The crowd got into it when Keith’s intro music started playing, and everyone was glued to the stage in anticipation of seeing Keith. To joyful acclaim, the band first took their positions, and then Keith joined them to begin the night with “Podunk.”

I sat at the second table from the stage with Dianne, and we were very close. Even though the tickets stated no photos, we weren’t searched upon entry, so we took a few pictures before putting our cameras away when they arrived and informed us that no photographs were allowed. I was disappointed because I was so near and was looking forward to obtaining some great images, but I reasoned that even though it wasn’t much, the few photos between Dianne and I were at least something.

“Plan B.” was the following album cut to be released. Next, Keith described his large family, noting that his mother had seven siblings and his father had 13, all of them were quite large individuals. Since several of them weigh more than 350 pounds and he has aunts who weigh 400 pounds, he described his family gatherings as involving “a lot of polyester and muumuus.” He mentioned that the next song he wrote came right after 9-11, and that at the time, the biggest heroes were the large, attractive firefighters and police officers who saved people in New York. The idea for “XXL” originated when he and his writing partner Bob DiPiero wanted to make a song about the huge guys.

Another anecdote that Keith related had his moving to Nashville, making friends with George Ducas, writing songs together at the time, and learning that one specific tune was going to be recorded. Great, but they want to tweak the lyrics, the rhythm, and the tune, someone informed Keith and George. Being a songwriter, Keith explained, “all you have are your lyrics, rhythm, and melody. So we stood on our integrity and told the guy, “If these folks want to record our song, they’ll record it as we wrote it, “cuz we know it’s a big hit, and that’s that.” Well, the guy is Garth Brooks, the man informed them. “Oh.. well, you know there were some things about that song we wanted to change.” continues Keith. They rewrite the song, put it all together, and perform it once more, at which point the guy returns and says, “They love the song, but they’d like to change the title.” Keith is a little miffed because all that’s left of the original is the title. And the song is going to be a duet with the great George Jones, the person continues. Oh, there were some aspects about that title that we genuinely believed we could modify, Keith adds. The laughter at this story is contagious. Keith then says… Its name is “They started singing the first verse and chorus of “Beer Run (B-double E-double Are You In?)” before stopping when Keith said, “You know, I think we’re deceiving these people by not letting them hear how the song was originally supposed to be. Would you like to hear the original version, guys?” Naturally, everyone shouts “Yes,” so they start playing that rendition. Furthermore, I fail to understand what was wrong with the original. It was incredibly enjoyable to me as well.

Hearing Keith perform his brand-new hit, “Everytime I Hear Your Name.” was one of my favorite moments. My all-time favorite track from his album is that one. I had previously seen him twice: once at the CMA Music Festival and once in October as Rascal Flatts’ opening act. I had only ever heard him perform his singles because he wasn’t on any of those shows for more than maybe five songs at most. The music was fantastic. Obviously less polished because it was performed live, but it was still great.

Keith is one to draw a lot of attention from the young girls because he was called one of Country’s hottest bachelors, and this concert had a nice turnout of many young women. Some of these supporters formed a line toward the end of the performance and conga danced around in front of the stage and along the opposite side of the venue. Although I’m not sure if you’d actually call it a conga line, that’s how I’d characterize it. The security guards were in a panic, but these girls were too much for them. When they returned to the front of the stage for a second time, they tried to stop them, but the girls would not be dissuaded. Some of them went through a different path past the guard anyway, and they all stood there for the final song. Dianne and I decided to try to sneak a few more photos amid this excitement, which we did before the security guards could leave the stage and the insane girls, one of whom hopped up on it and had to be dragged off.

I’m very pleased I was able to attend this fantastic performance. even if I didn’t take hundreds of photos. I adore Keith’s music and find him to be very charming. His CD was among the Top 10 Albums of 2005 the previous year. Amazing content there.

Keith also sang a song that wasn’t on his CD. He mentioned it as an option for his upcoming album. The name of it is “Sweet Alicia.” Despite the crowd’s enthusiasm for Kevin Marcy, Keith had no trouble igniting it even further. This show was excellent. Not the longest show I’ve ever seen, but it was a lot of fun.

I’ll Bring the Music is a six-song EP record that Anderson published in 2015. Keith Anderson’s net worth is projected to be $25 million as of 2023.